The Forgotten Gem: 'Kill the Irishman' and Its Place in Mob Movie History
In the vast landscape of mob movies, some films shine brighter than others, leaving a lasting impact on audiences and critics alike. But what happens when a gem gets overlooked? Such is the case with the 2011 film 'Kill the Irishman', a captivating yet underappreciated entry in the genre.
A Tale of the Cleveland Underworld
The movie tells the story of Danny Greene (played by Ray Stevenson), a real-life figure who navigated the treacherous waters of Cleveland's criminal underworld in the 1960s and 70s. Greene's journey is a fascinating one, rising from a dock worker to a corrupt union president and eventually becoming a crime boss. His war with the Italian mob, as depicted in the film, is a pivotal moment in American mafia history, and it's a wonder why this story hasn't garnered more attention.
Personally, I find the casting choices intriguing. Ray Stevenson, known for his intense performances in 'Rome' and his desire to reprise the role of Frank Castle in 'The Punisher', brings a gritty realism to the character of Greene. What many don't realize is that Stevenson's portrayal adds a layer of complexity, making Greene a folk hero of sorts, a modern-day Celtic warrior. This interpretation is a double-edged sword, as it both captivates and distracts from the moral ambiguities of the story.
A Who's Who of Mob Movie Actors
The film boasts an impressive ensemble cast, including Val Kilmer as a fictionalized detective with a personal connection to Greene, and Christopher Walken as a loan shark. But what's most striking is the appearance of actors from Martin Scorsese's 'Goodfellas' and David Chase's 'The Sopranos', two iconic mob-related productions. Paul Sorvino reprises his role as a real-life underboss, and Steve Schirripa, known for his role as Bobby Bacala, makes an appearance. However, as critic Scott Tobias observed, these familiar faces may do more harm than good, constantly reminding viewers of the masterpieces they could be watching instead.
In my opinion, this is where 'Kill the Irishman' faces its biggest challenge. It's sandwiched between two towering giants of the genre, and its attempts to pay homage may inadvertently highlight its shortcomings. The film's admiration for Greene's character, in contrast to Scorsese's nuanced moral exploration, feels like a missed opportunity for a deeper commentary on the allure and consequences of a life of crime.
A Hidden Gem Waiting to be Discovered
Despite its limited theatrical release and box office performance, 'Kill the Irishman' is a film that deserves a second look. It offers a unique perspective on a lesser-known chapter of American mafia history, and its exploration of Greene's character is both its strength and weakness. What this film really suggests is that there's always more to uncover in the world of mob movies, and sometimes, the hidden gems are the ones that offer the most intriguing insights.
One thing that immediately stands out is the film's potential to spark conversations about the glamorization of criminals and the impact of storytelling choices on audience perception. It's a reminder that every story, no matter how obscure, has something to teach us about the human condition and our fascination with the dark side of society.
